Monday, 4 August 2014

Finding Pretty: Greece Part I

Elegance and beauty is found in the simple-lined Ionic capital fragment on display in the ancient Athenian agora
 

In the City

Athens in not a pretty town.  Like any large urban centre it sprawls out from its chaotic core, and in the summer it just feels hot and crowded and sooty.  Everyone told me so and everyone was right.  But I was looking for the pretty.  In the past, everywhere I've travelled, I've found it.  And it hasn't been just one aspect of a place, say the breath-taking architecture or a sweeping landscape, that has thrilled or inspired me, but rather the impact of the whole.  I have been dazed, excited, overwhelmed and pleased by such vastly different settings as the deep American south west to the northern reaches of the English countryside and many locales in between.  But where to find it here?  I just wasn't feeling it.

A small snapshot of pretty: a street in Athens bordering
the Acropolis where well-maintained buildings sport
soft pastel shades and ornate ironwork

To be fair, I only spent a couple of days in the capital, but rather quickly a pattern emerged and I realised, that for me, the parts are far greater than the whole.  For starters, no one can argue with the awe-inspiring power and grace of the buildings on the Acropolis.


Neatly stacked architectural fragments with Greek inscriptions sit before
the Parthenon, a temple dedicated to the goddess Athena; built between
447 and 432 B.C., it is the earliest Classical structure on the Acroplois.
Pediment detail.
On the north side of the summit hill, the Erechteion.

A southern view of the Erectheion with the famed Caryatids,
the six maidens who support the roof of the porch.

The solid heft of the Doric order.

Capturing grace like no others before.

And once I got beyond the Acropolis, I stumbled upon many other sites of beauty and wonder, like this old Greek Orthodox church with tufts of grass growing along its roof line, giving it a forsaken air.  Inside were whitewashed wall studded with jewel-toned murals and the simplest of altars.




As I moved through the city, I began to see things like this...




contemporary artistic expressions of this time and place in Greece's history.  And least you think these are simply defaced walls, the work of bored hoodlums, Athens is known for its thriving graffiti community that tackles complex social and political issues head on.  What could be more engaging, provoking, informative and adventuresome?

At dusk one evening, as we made our way far off the beaten track and through the back alleys of the Plaka district, the old town quarter of Athens, we came across this:


And just out of sight, around the corner, was the artisit.  Here was a work in progress!  After a late dinner we returned to see if he had completed his work, and this is what we discovered...


It was at this moment I knew: I had found my pretty.
 
 
 
 
 
 
 
 
Images D. Sleziak



 

Thursday, 5 June 2014

Modern Vintage

Punked-out serving platter: White opaque milk glass with studded rim and bottom
 

Everything Old Is New Again


London, England has Portobello Road; Brimfield, Massachusetts has the Brimfield Antique Show; and Paris, France has the Marche aux Puces de Clignancourt.  In your neighbourhood, you might find yard sales, tag sales, or estate sales; antique shops, junk shops, or consignment shops.  Whatever you find, wherever you find it, what they all have in common is a bevy of used goods that often show the hallmarks of beautiful design, skilled craftsmanship, and exquisite execution.

While well-designed, quality home goods are timeless in their appeal, how do aged furnishings become contemporary?  How does a Depression era platter, a decades-old dish set, or a centurial chaise become new again? 

To start, let's agree that being modern is not necessarily about being newly minted; rather, it is more about being fresh -- an fresh approach, an intriguing combination, a unique juxtaposition, be it in furniture, dishware or home accessories.  Layering vintage items with contemporary pieces keeps things feeling clean and up-dated, not stodgy and jumbled.  Strong lines and graphic designs never feel dated, and pulling together pieces from various decades ensures your space doesn't feel like you're stepping into a time warp.  Besides creating an environment that is eclectic and autobiographical with items that can often be purchased at incredible prices (particularly when compared to their present-day counterparts), you are reusing and repurposing one of the countless consumer goods our civilisation has produced, saving it from destruction or a landfill.  And really, what could be more modern than that?


Sourced Locally


Found in my backyard: delicate organic etching on clean-edged
geometric shaped Depression era fruit cups; also of note, the swirl-rimmed
dessert plates and bead-rimmed serving vessels in deep emerald

Clear colours and strong graphic designs on juice glasses (bottom shelf)
and shot glasses (top shelf)

A perennial favourite and always classic, antique blue and white
china can bring a sense of history and touch of vibrancy to a modern
interior

These jugs hold their own in visual weight and rustic appeal; they would
look great clustered together on a shelf in a white-walled room

In my mind these are the ultimate juicers; particularly lovely is the one
in centre back with its scalloped edge

Traditionally constructed black wicker set cries out for a bold
fabric pattern on the seat cushions in need of refurbishing

 

 

The Take-Aways




Top: a Wedgwood leaf patterned platter cradles a garden find -- a perfect
but abandonned robin`s egg; Bottom: from a set of five,
an octagonal Depression glass emerald-coloured plate presents
a scattering of peony petals

 





Images: D. Sleziak




Monday, 19 May 2014

May Showers, May Flowers

Fragrant flowers on the ornamental tree

After the Rains 

Late to arrive and late to warm, spring is slowly unfurling itself.  Many early blossoms are just now blooming; lily of the valley and columbines, lilacs and magnolias are showing off in the sun-filled day that has followed a rain-soaked week.  These plants bring patches of colour and scent to our verdant landscape which is just beginning to flourish.  So fresh, so lovely.  Ah, spring.


The scent that fills our home: lily of the valley

Buds just beginning to open on the deeply fragrant lilac

The magnolia -- an early bloomer whose flowers have since dropped

The oh-so-sweet and hearty columbine


And as night falls the sky turns a velvet shade of indigo









Images D. Sleziak