Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Monday, 4 August 2014

Finding Pretty: Greece Part I

Elegance and beauty is found in the simple-lined Ionic capital fragment on display in the ancient Athenian agora
 

In the City

Athens in not a pretty town.  Like any large urban centre it sprawls out from its chaotic core, and in the summer it just feels hot and crowded and sooty.  Everyone told me so and everyone was right.  But I was looking for the pretty.  In the past, everywhere I've travelled, I've found it.  And it hasn't been just one aspect of a place, say the breath-taking architecture or a sweeping landscape, that has thrilled or inspired me, but rather the impact of the whole.  I have been dazed, excited, overwhelmed and pleased by such vastly different settings as the deep American south west to the northern reaches of the English countryside and many locales in between.  But where to find it here?  I just wasn't feeling it.

A small snapshot of pretty: a street in Athens bordering
the Acropolis where well-maintained buildings sport
soft pastel shades and ornate ironwork

To be fair, I only spent a couple of days in the capital, but rather quickly a pattern emerged and I realised, that for me, the parts are far greater than the whole.  For starters, no one can argue with the awe-inspiring power and grace of the buildings on the Acropolis.


Neatly stacked architectural fragments with Greek inscriptions sit before
the Parthenon, a temple dedicated to the goddess Athena; built between
447 and 432 B.C., it is the earliest Classical structure on the Acroplois.
Pediment detail.
On the north side of the summit hill, the Erechteion.

A southern view of the Erectheion with the famed Caryatids,
the six maidens who support the roof of the porch.

The solid heft of the Doric order.

Capturing grace like no others before.

And once I got beyond the Acropolis, I stumbled upon many other sites of beauty and wonder, like this old Greek Orthodox church with tufts of grass growing along its roof line, giving it a forsaken air.  Inside were whitewashed wall studded with jewel-toned murals and the simplest of altars.




As I moved through the city, I began to see things like this...




contemporary artistic expressions of this time and place in Greece's history.  And least you think these are simply defaced walls, the work of bored hoodlums, Athens is known for its thriving graffiti community that tackles complex social and political issues head on.  What could be more engaging, provoking, informative and adventuresome?

At dusk one evening, as we made our way far off the beaten track and through the back alleys of the Plaka district, the old town quarter of Athens, we came across this:


And just out of sight, around the corner, was the artisit.  Here was a work in progress!  After a late dinner we returned to see if he had completed his work, and this is what we discovered...


It was at this moment I knew: I had found my pretty.
 
 
 
 
 
 
 
 
Images D. Sleziak



 

Saturday, 5 April 2014

March Madness

The now-classic logo

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Antique long-stitched embroidery, early 20th century

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XOXO, Darina Sleziak, Cotton thread on cotton ground, 2014
 

Sealed with a Kiss


As the rosy-hued month of February slipped into the tempestuous month of March, an art project took hold.  Draw upon what you know, the artist is always told.  Here the inspiration is two-fold: the punchy logo of fashion designer Diane von Furstenberg, and the hand-stitched vivid embellishment of a piece of traditional woman's clothing from the village of Dobra Niva, Slovakia.  The results?  A collision of two worlds where old-world creative expression melds with the bold and cheeky styling of contemporary culture.




 
 
Images D. Sleziak

Saturday, 19 October 2013

Saturday, In the Park

The Big Bean
As autumn slowly unfolds and the trees dip themselves in gold and red, the desire to explore new places and new spaces takes hold.  Recently, it was Chicago's Millennium Park and The Art Institute of Chicago.  In the park, it is impossible not to be fascinated by Anish Kapoor's Cloud Gate, a 110-ton elliptical sculpture of polished stainless steel, and the Frank Gehry-designed pavilion.  Highlights from the Art Institute include an Edouard Vuillard painting; a Van Gogh self-portrait; Georgia O'Keeffe's Sky Above Clouds IV painting from 1965, so perfectly presented on a staircase landing; two contemporary chairs, Honey-Pop Armchair by Takujin Yoshioka, and the pleated paper Cabbage Chair by Oki Sato that is shipped to the consumer as one compact roll to be open, cut and rolled back into shape upon installation (How cool is that?); a close-up of a must-see-to-believe Jackson Pollack drip painting; and the intensely beautiful stain glass window by Marc Chagall, one of three.  Finally, no weekend visit would be complete without a viewing of George Seurat's A Sunday Afternoon on the Island of La Grande Jatte. 


Click on images to enlarge.

 
 




 
 




 









 







 
Images by D. Sleziak

Saturday, 24 November 2012

Between the Covers: A Good Read

A good read just waiting for you to tuck in

A good read is sometimes hard to come by, but not if you pick up The Paper Garden: Mrs. Delany begins her life's work at 72 by acclaimed poet Molly Peacock.  


A Life's Work

 
Mary Granville Pendarves Delany (1700 -1788) was born of a long line of royalist supporters who were in serve to the crown.  She was a friend of George Frideric Handel's, an occasional dinner partner of Jonathon Swift's, and a life-long friend and companion of Margaret Cavendish Bentinck, the Duchess of Portland.  She was also a wife, two times: once arranged at the tender age of  seventeen to a sixty-one-year-old drunk; a second time married at age forty-three to the love of her life, Patrick Delany.  A fashion connoisseur, a keen observer of nature and an artist, she began her life's work -- the creation of nearly 1000 botanically accurate cut-paper flower collages -- at age 72! 


A Wash, a Snip, a Swirl


A wash of colour, a snip of paper and a swirl of glue combined countless times until 985 astonishingly detailed flower mosaicks (a term Mary ascribed to them) took root and bloomed.  But the book isn't just a biography of Mary Delany and how she came to her life's work; it's a swirl, a flourish, a collage of the author's, Molly Peacock, own life beautifully juxtaposed and interwoven with Mary's, lived nearly three-hundred years ago.  Illustrated with thirty-five full-colour plates, the writing is poetic and engaging, saucy and bold.  Including tidbits 
The Paper Garden: Mrs. Delany Begins Her Life's Work At 72
Cover shot
on fashion, gossip, court life, and politics, it explores the nature of creativity and what it means to have lived a good life.

Today, most of Mary's creations are housed in the British Museum and can be viewed upon request.

Passiflora laurifolia, Bay Leaved (Passion flower) by Mary Delany, August 1777,
from the collection of the British Museum.

 

 


 
 
 Top photo D. Sleziak
Book cover via Chapters/Indigo;  Ilustration via the British Museum.

Friday, 5 October 2012

Where It Comes and Where It Goes

A line in the Himalayas, Richard Long, 1975
 


Inspiration.  Where does it come from? 

From personal experience...

Stone stack, Joshua Tree National Park



From family history...

                                                                    Onions from the farm



From other artists...

Untitled, Richard Long, 1990
(River Avon mud on card)



From nature...

                                                                                 A pair of rocks from my collection



                                            


Inspiration.  What does it lead to?


Muck, Darina Sleziak, 2011
(Charcoal from farm fire and graphite on rag paper)
                                                                              




 
 
 
Photos D. Sleziak